[NEW JERSEY] Making his debut on NikkiSiixx.com, we have a young artist by the name of Eddie Grand with his latest track LIVE FROM THE DIRT (REMIX) featuring Jase Harley and J.I Hudson. You can consider this to be an anthem for the people who love to smoke that sticky-icky. First Verse is Jase Harley, Second Verse is J.I. Hudson, and last but not least Eddie Grand finishing up the song. Also, Denny B on the chorus! Eddie Grand style and flow gives me the vibe that he doesn’t give a fuck! Really embodies that trap genre. What do you guys think about Eddie Grand remix track to LIVE FROM THE DIRT?
North Miami Beach son, DZ the Rapper, not too long ago released his newest single “Hey My Nigga”. It’s a great way to enter the new year after seeing the success of fellow NMB artist and friend Zoey Dollaz for his breakout single “Blow A Check”. The production was done by a well known South Florida DJ, DJ Illusion, he gave the track a grimy trap feel. I love how hungry DZ sounds on this joint. This has the potential to be an anthem this summer and that’s coming from the same guy that predicted “OG Bobby Johnson” would become a hit. I have been silently watching DZ the Rapper’s movement for a while and this song proves that he has the potential to have crossover success.
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[LOS ANGELES, CALIFORNIA] Originally from the Bronx, Hip-Hop/Rap Artist JU$TIN had an unfortunate experience with the LA County Jail system. He was fighting a felony charge for a month and half spending time behind bars. Luckily, he was released in time to graduate from Santa Monica College with honors. That experienced helped give enough inspiration to bring his first EP JU$T HU$TLE BxTxH: 3883076 to life and releasing his second EP $treet ART.
$treet ART was more like a throwback freestyle tape done over classic 90s NYC HipHop instrumentals. The title pays homage to the Graff culture and is a metaphor for how Street Artists tag their name onto other peoples property, which is what JU$TIN was doing by showing respect to a few classics by adding something new to it. JU$TIN released those two EP’s back in August of 2015 and now he presents us with his latest release JUSTIN Designed THAT EP. Making his debut on NikkiSiixx.com, I’m going to review my favorite tracks off the EP.
[LAPTOP 2 TRAPSPOT] When using your computer/laptop as a source of creating music, promoting yourself, and even making money off the internet. Your Laptop is your trapspot. JU$TIN elaborates the Cali scene with the finest greens. I sense with this track you can hear the East Coast Influence with the beat production by @SeriousBeats.
[JACKIE JOYNER KERSEE] With the opening statement of the track, it’s a woman’s voice that says “I think you learn so much from losing. I think-uh losing helps to keep things in perspective, helps you to evaluate what went wrong, and why was it that you came up short”. I find that quote to be empowering. JU$TIN says this is an anthem dedicated to all the money chasers that we face. The title is names over the legendary Olympic Gold Medalist Jackie Joyner Kersee. This is actually the first single off the JUSTIN Designed THAT EP, produced by @TrapMafiaBeatz.
[LOVE ME] Was the first song JU$TIN recorded on Thanksgiving Day and after listening to it, he decided he wanted to release another project for Christmas and started gathering beats from various producers online. It took about three to four weeks to get JUSTIN Designed THAT EP to be complete. The track LOVE ME, is expressing how people can’t help but appreciate him as a person and as an artist. This track you can hear the West Coast influence in its production, brought to you by @DJRELLYRELL.
[WORST DECISION EVER] JU$TIN goes in on his worst decision ever, which is dating someone who he wish he never met. The woman he was with decided to love someone else while JU$TIN was investing his time and emotions. He feels it has messed up his thought process. Hopefully, acknowledging what went wrong and learning from his mistakes.
“My writing process doesn’t consist of jotting rhymes down or typing into my mobile device, I construct the entire song in my head, w/ the hook being the first thing I record, and then I roll 1 up and vibe to the beat until the lyrics begin to come to me – JU$TIN
Besides being an artist, JU$TIN executes his visions through his graphic designs. He can draw, paint, and he even has a degree in Graphic Design plus a background in illustration from his time spent attending the High School of Art & Design in NYC. He even started his own clothing line. You can catch JU$TIN wearing it on the cover of JUSTIN Designed THAT EP, but you should check out his shop for some more graphic tees, crew neck sweaters, and pull over thermal hoodies that were personally designed by artist / designer JU$TIN.
Darryl Oulai better known as Lil Darryl recently released this track called MAD OR NAH. If you’re not to familiar with this artist, let me give you a bit of a background check. The eighteen year old that was born in Maryland and now resides in North Carolina, has always been in love with music, but at first he feel in love with dance. Then he came to realize he’s true calling was to be an independent rapper. He embraced his love and grew with his style and became very versatile. Any type of beat, Lil Darryl is ready to put his heart into it. MAD OR NAH is definitely a party jam. It’s about doing you and peoples reaction towards that. MAD OR NAH is either you’re hatin or your cool with it. Ride out to this trap beat produced by Kyduh Beatz. Don’t forget to follow Lil Darryl via his social media outlets.
Check out 17 year old producer Schedule One with his exclusive multi-genre project featuring 10 hard hitting beats plus 5 bonus EDM tracks titled Existence Instrumentals. Schedule One has that Trap/Club feel to it. With them killer 808s! Definitely can see these tracks getting picked up by any artist. Existence features co-producers include Dizzy Wright’s Sub-Zer0 and South African producer Paapi Musik.
TRAP MUSIC incorporates a extensive use of multi-layered hard-lined and melodic synthesizers, crisp, grimy and rhythmic snares, deep 808 sub-bass kick drums, pitched down vocals, double-time, triple-time and similarly divided hi-hats, and a cinematic and symphonic utilization of string and keyboard instruments creating an overall dark, harsh, grim and bleak background feeling for the listener